Rare Books Paris

Issue D May 1993. Rare and little known out of print journal featuring the best emerging 90s fashion photographers. This issue features contributors such as David Baley, Mark Borthwick, Glen Lutchford, Juergen Teller, Mark Aleksy, Jane How, Jason Fox, among many others.

Issue D May 1993. Rare and little known out of print journal featuring the best emerging 90s fashion photographers. This issue features contributors such as David Baley, Mark Borthwick, Glen Lutchford, Juergen Teller, Mark Aleksy, Jane How, Jason Fox, among many others.

Issue D May 1993. Rare and little known out of print journal featuring the best emerging 90s fashion photographers. This issue features contributors such as David Baley, Mark Borthwick, Glen Lutchford, Juergen Teller, Mark Aleksy, Jane How, Jason Fox, among many others.

Issue D May 1993. Rare and little known out of print journal featuring the best emerging 90s fashion photographers. This issue features contributors such as David Baley, Mark Borthwick, Glen Lutchford, Juergen Teller, Mark Aleksy, Jane How, Jason Fox, among many others.

Issue D May 1993. Rare and little known out of print journal featuring the best emerging 90s fashion photographers. This issue features contributors such as David Baley, Mark Borthwick, Glen Lutchford, Juergen Teller, Mark Aleksy, Jane How, Jason Fox, among many others.

New York City newsstands jam-packed with a million titles, all screaming for attention, inspired 14 HYPE!, a parody of the media and a spoof on the tabloids. This issue is full of mock “ads." Funny slogans and tag lines are added to every page. Sixties supermodel Veruschka poses for a make-believe tabloid cover, Helmut Lang sends in an ad for Helmut Lang Industries (“The only company that loves you") photographed by David Sims. Vogue’s editor-at-large, Hamish Bowles, pens an interior-design piece about the “vintage suburban" family room of TV sitcom character Roseanne. Inez van Lamsweerde and Vinoodh Matadin shoot a story on New York fashion that featured models computer montaged into New York interiors. Number 347 of 2000 copies.

New York City newsstands jam-packed with a million titles, all screaming for attention, inspired 14 HYPE!, a parody of the media and a spoof on the tabloids. This issue is full of mock “ads." Funny slogans and tag lines are added to every page. Sixties supermodel Veruschka poses for a make-believe tabloid cover, Helmut Lang sends in an ad for Helmut Lang Industries (“The only company that loves you") photographed by David Sims. Vogue’s editor-at-large, Hamish Bowles, pens an interior-design piece about the “vintage suburban" family room of TV sitcom character Roseanne. Inez van Lamsweerde and Vinoodh Matadin shoot a story on New York fashion that featured models computer montaged into New York interiors. Number 347 of 2000 copies.

New York City newsstands jam-packed with a million titles, all screaming for attention, inspired 14 HYPE!, a parody of the media and a spoof on the tabloids. This issue is full of mock “ads." Funny slogans and tag lines are added to every page. Sixties supermodel Veruschka poses for a make-believe tabloid cover, Helmut Lang sends in an ad for Helmut Lang Industries (“The only company that loves you") photographed by David Sims. Vogue’s editor-at-large, Hamish Bowles, pens an interior-design piece about the “vintage suburban" family room of TV sitcom character Roseanne. Inez van Lamsweerde and Vinoodh Matadin shoot a story on New York fashion that featured models computer montaged into New York interiors. Number 347 of 2000 copies.

New York City newsstands jam-packed with a million titles, all screaming for attention, inspired 14 HYPE!, a parody of the media and a spoof on the tabloids. This issue is full of mock “ads." Funny slogans and tag lines are added to every page. Sixties supermodel Veruschka poses for a make-believe tabloid cover, Helmut Lang sends in an ad for Helmut Lang Industries (“The only company that loves you") photographed by David Sims. Vogue’s editor-at-large, Hamish Bowles, pens an interior-design piece about the “vintage suburban" family room of TV sitcom character Roseanne. Inez van Lamsweerde and Vinoodh Matadin shoot a story on New York fashion that featured models computer montaged into New York interiors. Number 347 of 2000 copies.

Fashion catalogue from 1983. Photographed by Patrick Sarfati.

Fashion catalogue from 1983. Photographed by Patrick Sarfati.

Fashion catalogue from 1983. Photographed by Patrick Sarfati.

Fashion catalogue from 1983. Photographed by Patrick Sarfati.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fifth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Summer 2000. Contributions from Mark Borthwick, Anders Edstrom, Armin Linke, Terry Richardson, Masafumi Sanai, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fifth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Summer 2000. Contributions from Mark Borthwick, Anders Edstrom, Armin Linke, Terry Richardson, Masafumi Sanai, Takashi Homma and many more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Comme des Garçons Homme Plus Catalogue, 1987. Photography by Arthur Elgort. Art direction by Tohji Murata. Hair by Peter Smith, Atlas Associates. Models: Cedric, Roger, Jeremy, Charlie, John Alexandre, Dino, Bruno, Herve, Claude, Andrew. Shot in Paris, 4 February 1987.

Comme des Garçons Homme Plus Catalogue, 1987. Photography by Arthur Elgort. Art direction by Tohji Murata. Hair by Peter Smith, Atlas Associates. Models: Cedric, Roger, Jeremy, Charlie, John Alexandre, Dino, Bruno, Herve, Claude, Andrew. Shot in Paris, 4 February 1987.

Comme des Garçons Homme Plus Catalogue, 1987. Photography by Arthur Elgort. Art direction by Tohji Murata. Hair by Peter Smith, Atlas Associates. Models: Cedric, Roger, Jeremy, Charlie, John Alexandre, Dino, Bruno, Herve, Claude, Andrew. Shot in Paris, 4 February 1987.

Comme des Garçons Homme Plus Catalogue, 1987. Photography by Arthur Elgort. Art direction by Tohji Murata. Hair by Peter Smith, Atlas Associates. Models: Cedric, Roger, Jeremy, Charlie, John Alexandre, Dino, Bruno, Herve, Claude, Andrew. Shot in Paris, 4 February 1987.

Comme des Garçons Homme Plus Catalogue, 1987. Photography by Arthur Elgort. Art direction by Tohji Murata. Hair by Peter Smith, Atlas Associates. Models: Cedric, Roger, Jeremy, Charlie, John Alexandre, Dino, Bruno, Herve, Claude, Andrew. Shot in Paris, 4 February 1987.

Disobedient Bodies: JW Anderson at The Hepworth Wakefield has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book – made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM – acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth’s galleries come in to play with images from Anderson’s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson’s own collections. Limited edition of 2000 copies.

Disobedient Bodies: JW Anderson at The Hepworth Wakefield has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book – made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM – acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth’s galleries come in to play with images from Anderson’s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson’s own collections. Limited edition of 2000 copies.

Disobedient Bodies: JW Anderson at The Hepworth Wakefield has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book – made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM – acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth’s galleries come in to play with images from Anderson’s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson’s own collections. Limited edition of 2000 copies.

Disobedient Bodies: JW Anderson at The Hepworth Wakefield has been published alongside the exhibition of the same name, curated by JW Anderson and opening The Hepworth Wakefield in March 2017. The book – made in a close collaboration between Jonathan Anderson, Andrew Bonacina and OK-RM – acts as an alternative exhibition space in which the pairings and combinations that unfold within The Hepworth’s galleries come in to play with images from Anderson’s collaborative photographic projects with Jamie Hawkesworth. The book object comprises a series of interleaved sections amassing 142 pages and featuring works by Barbara Hepworth, Henry Moore, Constantin Brancusi, Eileen Gray, Sarah Lucas, Jean Paul Gaultier, Christian Dior, Helmut Lang and many more, alongside contributions from Anderson’s own collections. Limited edition of 2000 copies.

Sixth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Martin Margiela, Wolfgang Tillmans, Inez van Lamsweerde, Lee Ranaldo, Sophie-Anne Delhomme and many more.

Sixth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Martin Margiela, Wolfgang Tillmans, Inez van Lamsweerde, Lee Ranaldo, Sophie-Anne Delhomme and many more.

Sixth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Martin Margiela, Wolfgang Tillmans, Inez van Lamsweerde, Lee Ranaldo, Sophie-Anne Delhomme and many more.

Sixth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Martin Margiela, Wolfgang Tillmans, Inez van Lamsweerde, Lee Ranaldo, Sophie-Anne Delhomme and many more.

Sixth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Martin Margiela, Wolfgang Tillmans, Inez van Lamsweerde, Lee Ranaldo, Sophie-Anne Delhomme and many more.

Third issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
It features Martin Margiela, Dike Blair, Dominique Gonzalez-Foerster, Sarah Lucas, Tracey Emin, Jean Touitou, Ugo Rondinone, Andre Walker.

Third issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
It features Martin Margiela, Dike Blair, Dominique Gonzalez-Foerster, Sarah Lucas, Tracey Emin, Jean Touitou, Ugo Rondinone, Andre Walker.

Third issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
It features Martin Margiela, Dike Blair, Dominique Gonzalez-Foerster, Sarah Lucas, Tracey Emin, Jean Touitou, Ugo Rondinone, Andre Walker.

Third issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
It features Martin Margiela, Dike Blair, Dominique Gonzalez-Foerster, Sarah Lucas, Tracey Emin, Jean Touitou, Ugo Rondinone, Andre Walker.

Self Service Magazine Issue 11 “Icons”.
With photos by Mark Borthwick, Anders Edström, Bardo Fabiani, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims, Juergen Teller and more.

Self Service Magazine Issue 11 “Icons”.
With photos by Mark Borthwick, Anders Edström, Bardo Fabiani, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims, Juergen Teller and more.

Self Service Magazine Issue 11 “Icons”.
With photos by Mark Borthwick, Anders Edström, Bardo Fabiani, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims, Juergen Teller and more.

Self Service Magazine Issue 11 “Icons”.
With photos by Mark Borthwick, Anders Edström, Bardo Fabiani, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims, Juergen Teller and more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Sixth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 2000/01. Contributions from Giasco Bertoli, Mark Borthwick Anders Edstrom, Camille Vivier, Vanina Sorrenti and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Sixth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 2000/01. Contributions from Giasco Bertoli, Mark Borthwick Anders Edstrom, Camille Vivier, Vanina Sorrenti and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Sixth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 2000/01. Contributions from Giasco Bertoli, Mark Borthwick Anders Edstrom, Camille Vivier, Vanina Sorrenti and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Sixth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 2000/01. Contributions from Giasco Bertoli, Mark Borthwick Anders Edstrom, Camille Vivier, Vanina Sorrenti and many more.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Part of the generation of photographers that included Juergen Teller and Terry Richardson, Marcelo Krasilcic moved from Sao Paulo to New York in 1990 to study art and photography, and quickly became known for his spare, iconic and sweetly erotic photographs of liberated youth, artists, designers, musicians and otherwise beautiful and creative personalities. Krasilcic captured the style of the 90s in situ, outside of the studio, and his photographs of people like Maurizio Cattelan, everything but the girl and Chloe Sevigny were immediately absorbed by the most influential magazines of the era, including Purple, Dazed & Confused, Self-Service and Visionaire to name a few. At more than 300 pages, this oversize, slipcased, clothbound, two-volume publication features only the work for which Krasilcic first became known: his era-defining photographs from the 1990s.

Permanent food is a cannibal magazine, a project conceived and produced by Maurizio Cattelan and Paola Manfrin. It is the result of the passion, obsession and artistic action of its creators, a trace of their critical gaze towards the social context. Built with images stolen from other magazines, selected, torn, detached, modified and then reassembled, Permanent Food was born almost for fun, without the need to have a defined style and personality. It ended up becoming a serious fact, a concrete sign of the times, a collector's item, a real and meaningful "second generation magazine". The aesthetics of each issue stems from the artistic link between Paola's sensitivity for images with a strong visual impact and Maurizio's preference for more cultured, ironic and clear images. Permanent Food's challenge to its audience is to consider and reflect on how we absorb and contextualize the constant flow of images in our daily life.

Permanent food is a cannibal magazine, a project conceived and produced by Maurizio Cattelan and Paola Manfrin. It is the result of the passion, obsession and artistic action of its creators, a trace of their critical gaze towards the social context. Built with images stolen from other magazines, selected, torn, detached, modified and then reassembled, Permanent Food was born almost for fun, without the need to have a defined style and personality. It ended up becoming a serious fact, a concrete sign of the times, a collector's item, a real and meaningful "second generation magazine". The aesthetics of each issue stems from the artistic link between Paola's sensitivity for images with a strong visual impact and Maurizio's preference for more cultured, ironic and clear images. Permanent Food's challenge to its audience is to consider and reflect on how we absorb and contextualize the constant flow of images in our daily life.

Permanent food is a cannibal magazine, a project conceived and produced by Maurizio Cattelan and Paola Manfrin. It is the result of the passion, obsession and artistic action of its creators, a trace of their critical gaze towards the social context. Built with images stolen from other magazines, selected, torn, detached, modified and then reassembled, Permanent Food was born almost for fun, without the need to have a defined style and personality. It ended up becoming a serious fact, a concrete sign of the times, a collector's item, a real and meaningful "second generation magazine". The aesthetics of each issue stems from the artistic link between Paola's sensitivity for images with a strong visual impact and Maurizio's preference for more cultured, ironic and clear images. Permanent Food's challenge to its audience is to consider and reflect on how we absorb and contextualize the constant flow of images in our daily life.

Permanent food is a cannibal magazine, a project conceived and produced by Maurizio Cattelan and Paola Manfrin. It is the result of the passion, obsession and artistic action of its creators, a trace of their critical gaze towards the social context. Built with images stolen from other magazines, selected, torn, detached, modified and then reassembled, Permanent Food was born almost for fun, without the need to have a defined style and personality. It ended up becoming a serious fact, a concrete sign of the times, a collector's item, a real and meaningful "second generation magazine". The aesthetics of each issue stems from the artistic link between Paola's sensitivity for images with a strong visual impact and Maurizio's preference for more cultured, ironic and clear images. Permanent Food's challenge to its audience is to consider and reflect on how we absorb and contextualize the constant flow of images in our daily life.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fourth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Winter 1999/00. Contributions from Mark Borthwick, Camille Vivier, Torbjiorn Rodland, Juergen Teller, Jack Pierson, Giasco Bertoli and many more.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.