Rare Books Paris

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

A cult publication which is already out of print that documents Helmut Lang pieces from archival collections consisting of over 800 pages over two volumes. The privately owned garments were painstakingly photographed piece by piece over several months. The result is an important documentation of Lang's sharp silhouettes and cutting edge fabrics that traces his career between 1986 and 2005. The book is particularly significant given Lang famously destroyed 6,000 pieces of work for his exhibition Make it Hard exhibition.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

This book illustrates the two innovative exhibitions of Pièces-Meublés held in 1995 and 2016, curated by New York art critic Bob Nickas at the invitation of Galerie Patrick Seguin. Introduced with a substantial preface by Nickas, Pièces-Meublés is abundantly illustrated with in-situ photographs, as well as archival images for the furniture and architectural components of the shows. This publication compares contemporary art with the leading creations of 20th century design. 20 artists were invited to select a piece of furniture either to interact with their work or to integrate it with a new work. Participating artists include John M Armleder, Richard Artschwager, Bertrand Lavier, Louise Lawler, Adam McEwen, Albert Oehlen, Haim Steinbach, Rudolf Stingel, Franz West.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

BILL is a photographic-only magazine designed, edited, and produced by Julie Peeters. Associate editor: Elena Narbutaite.
BILL 3 is a special archival issue, features unpublished Martin Margiela lookbook photographs, a horse, street style from the 90’s, vases of Japan, a silver story, a flash forward and back, tennis, an icecube tray, more Margiela, Hysteric Glamour and a bunch of frivilous images.
The stories are sourced from the book collections of RareBooksParis and Julie Peeters. Printed in 2020, bound in 2021.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fifth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Summer 2000. Contributions from Mark Borthwick, Anders Edstrom, Armin Linke, Terry Richardson, Masafumi Sanai, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Fifth issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose". Summer 2000. Contributions from Mark Borthwick, Anders Edstrom, Armin Linke, Terry Richardson, Masafumi Sanai, Takashi Homma and many more.

The Summer 1997 issue of Purple Fashion Magazine, showcasing editorial work from some of the coolest industries. Contibutions by Collier Schorr, Mark Borthwick, Horst Diekgerdes, Anders Edström and Camille Vivier.

The Summer 1997 issue of Purple Fashion Magazine, showcasing editorial work from some of the coolest industries. Contibutions by Collier Schorr, Mark Borthwick, Horst Diekgerdes, Anders Edström and Camille Vivier.

Lookbook of the Maison Martin Margiela Spring/Summer 1998 Womenswear Collection, part 6.
Each one of these lookbooks were handmade in the Parisian press office. The photos are printed and glued on a piece of white cotton cloth. They served both as an important communication tool and as an aid for wholesale clients to show perspective buyers the most representative looks of the collection.

Lookbook of the Maison Martin Margiela Spring/Summer 1998 Womenswear Collection, part 6.
Each one of these lookbooks were handmade in the Parisian press office. The photos are printed and glued on a piece of white cotton cloth. They served both as an important communication tool and as an aid for wholesale clients to show perspective buyers the most representative looks of the collection.

Lookbook of the Maison Martin Margiela Spring/Summer 1998 Womenswear Collection, part 6.
Each one of these lookbooks were handmade in the Parisian press office. The photos are printed and glued on a piece of white cotton cloth. They served both as an important communication tool and as an aid for wholesale clients to show perspective buyers the most representative looks of the collection.

Lookbook of the Maison Martin Margiela Spring/Summer 1998 Womenswear Collection, part 6.
Each one of these lookbooks were handmade in the Parisian press office. The photos are printed and glued on a piece of white cotton cloth. They served both as an important communication tool and as an aid for wholesale clients to show perspective buyers the most representative looks of the collection.

Self Service Magazine Issue 13 “The Influence”.
Nicolas Ghesquiere on the cover photographer by Anuschka Bloomers and Niels Schumm.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Camille Vivier, David Sims, Juergen Teller and more.

Self Service Magazine Issue 13 “The Influence”.
Nicolas Ghesquiere on the cover photographer by Anuschka Bloomers and Niels Schumm.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Camille Vivier, David Sims, Juergen Teller and more.

Self Service Magazine Issue 13 “The Influence”.
Nicolas Ghesquiere on the cover photographer by Anuschka Bloomers and Niels Schumm.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Camille Vivier, David Sims, Juergen Teller and more.

Self Service Magazine Issue 13 “The Influence”.
Nicolas Ghesquiere on the cover photographer by Anuschka Bloomers and Niels Schumm.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Camille Vivier, David Sims, Juergen Teller and more.

Self Service Magazine Issue 13 “The Influence”.
Nicolas Ghesquiere on the cover photographer by Anuschka Bloomers and Niels Schumm.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Camille Vivier, David Sims, Juergen Teller and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Self Service Magazine Issue 10 “10th”.
Cover story with Christopher photographed by Anuschka Bloomers.
With photos by Mark Borthwick, Anders Edström, Inez Van Lamsweerde, Vinoodh Matadin, Steven Klein, Craig McDean, Andres Serrano, David Sims and more.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Yohji Yamamamoto Pour Homme Spring/Summer 1985 catalogue. Folding pages. Jean Charles Blais, French artist, modeling for the photographer Keiichi Tahara.

Fifth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Shugi Aryioshi, Olivier Badot, Olivier Blanckart, Greg Bordowitz, Tommaso Corvi Mora, Andrew Cross, Liz Dalton, Joshua Decter, André Durandeau, Atom Egoyan, Danielle Flaumenbaum, Peter Fleissig, Valentine de Ganay, Ami Garmon, John S. Hall, Markus Hansen, Carsten Höller, Stephen Joannon, Ginette Le Maitre, Claude Lévéque, Loïs E. Nesbitt, Guillaume Nez, Bob Nickas, POST SEXE, David Robbins, François Roche, Alberto Sorbelli, Therapy, Wolfgang Tillmans, Francisco J. Varela, Vydia, Benjamin Weil.

Fifth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Shugi Aryioshi, Olivier Badot, Olivier Blanckart, Greg Bordowitz, Tommaso Corvi Mora, Andrew Cross, Liz Dalton, Joshua Decter, André Durandeau, Atom Egoyan, Danielle Flaumenbaum, Peter Fleissig, Valentine de Ganay, Ami Garmon, John S. Hall, Markus Hansen, Carsten Höller, Stephen Joannon, Ginette Le Maitre, Claude Lévéque, Loïs E. Nesbitt, Guillaume Nez, Bob Nickas, POST SEXE, David Robbins, François Roche, Alberto Sorbelli, Therapy, Wolfgang Tillmans, Francisco J. Varela, Vydia, Benjamin Weil.

Fifth issue of Elein Fleiss and Olivier Zahm's Purple Prose, the Parisian literary art zine that began the world of Purple. Founded in 1992 as a reaction against the superficial glamour of the 1980’s, Purple Prose embraced the immediate fanzine aesthetics of what became referred to as 1990's anti-fashion, a far cry from what we now identify with Purple Fashion with.
This issue features Shugi Aryioshi, Olivier Badot, Olivier Blanckart, Greg Bordowitz, Tommaso Corvi Mora, Andrew Cross, Liz Dalton, Joshua Decter, André Durandeau, Atom Egoyan, Danielle Flaumenbaum, Peter Fleissig, Valentine de Ganay, Ami Garmon, John S. Hall, Markus Hansen, Carsten Höller, Stephen Joannon, Ginette Le Maitre, Claude Lévéque, Loïs E. Nesbitt, Guillaume Nez, Bob Nickas, POST SEXE, David Robbins, François Roche, Alberto Sorbelli, Therapy, Wolfgang Tillmans, Francisco J. Varela, Vydia, Benjamin Weil.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Libretto is a composition of photographs by Paolo Roversi combining fashion, still life and nudes. Together they form a magic and enchanted world of shade and light, shapes and colors, which transpires an atmosphere both dreamlike and bewitching. The emotion of a look, the sensuality of a body, the elegance of a movement leads us into the mysterious spheres of beauty.

Dutch Magazine Issue 31 - Wilderness. 2000.
Featuring Michael Event, Alan Scrymgeour, Thomas Shenk, Michael Sanders, Alex Cayley.

Dutch Magazine Issue 31 - Wilderness. 2000.
Featuring Michael Event, Alan Scrymgeour, Thomas Shenk, Michael Sanders, Alex Cayley.

Dutch Magazine Issue 31 - Wilderness. 2000.
Featuring Michael Event, Alan Scrymgeour, Thomas Shenk, Michael Sanders, Alex Cayley.

Dutch Magazine Issue 28. September/October 2000.
Featuring Yohji Yamamoto by Alex Cayley, Azzedine Alaia, Thomas Schenk, Corinne Day, Marcelo Krasilcic, Tierney Gearon.

Dutch Magazine Issue 28. September/October 2000.
Featuring Yohji Yamamoto by Alex Cayley, Azzedine Alaia, Thomas Schenk, Corinne Day, Marcelo Krasilcic, Tierney Gearon.

Dutch Magazine Issue 28. September/October 2000.
Featuring Yohji Yamamoto by Alex Cayley, Azzedine Alaia, Thomas Schenk, Corinne Day, Marcelo Krasilcic, Tierney Gearon.

Dutch Magazine Issue 28. September/October 2000.
Featuring Yohji Yamamoto by Alex Cayley, Azzedine Alaia, Thomas Schenk, Corinne Day, Marcelo Krasilcic, Tierney Gearon.

Dutch Magazine Issue 28. NL. 2000.
Featuring Victor & Rolf, Philippe Cometti, Niel Klavers, Pascale Gatzen, Saskia van Drimmelen, Ronald van der Kemp.

Dutch Magazine Issue 28. NL. 2000.
Featuring Victor & Rolf, Philippe Cometti, Niel Klavers, Pascale Gatzen, Saskia van Drimmelen, Ronald van der Kemp.

Dutch Magazine Issue 28. NL. 2000.
Featuring Victor & Rolf, Philippe Cometti, Niel Klavers, Pascale Gatzen, Saskia van Drimmelen, Ronald van der Kemp.

Dutch Magazine Issue 14 - Young Blood. January-February 1998.
Featuring: Viviane Sassen, Stella McCartney, Hussein Chalayan, Malclom McLaren, Angela Missoni and Christina Ortiz (Lanvin).
Photography by Thomas Schenk, Steven Klein, Frederike Helwig, Bob Richardson, Andrew McKim and more. 

Dutch Magazine Issue 14 - Young Blood. January-February 1998.
Featuring: Viviane Sassen, Stella McCartney, Hussein Chalayan, Malclom McLaren, Angela Missoni and Christina Ortiz (Lanvin).
Photography by Thomas Schenk, Steven Klein, Frederike Helwig, Bob Richardson, Andrew McKim and more. 

Dutch Magazine Issue 14 - Young Blood. January-February 1998.
Featuring: Viviane Sassen, Stella McCartney, Hussein Chalayan, Malclom McLaren, Angela Missoni and Christina Ortiz (Lanvin).
Photography by Thomas Schenk, Steven Klein, Frederike Helwig, Bob Richardson, Andrew McKim and more. 

Dutch Magazine Issue 14 - Young Blood. January-February 1998.
Featuring: Viviane Sassen, Stella McCartney, Hussein Chalayan, Malclom McLaren, Angela Missoni and Christina Ortiz (Lanvin).
Photography by Thomas Schenk, Steven Klein, Frederike Helwig, Bob Richardson, Andrew McKim and more. 

Dutch Magazine Issue 14 - Young Blood. January-February 1998.
Featuring: Viviane Sassen, Stella McCartney, Hussein Chalayan, Malclom McLaren, Angela Missoni and Christina Ortiz (Lanvin).
Photography by Thomas Schenk, Steven Klein, Frederike Helwig, Bob Richardson, Andrew McKim and more. 

Le Monde d'Hermès n. 34. Spring-Summer 1999.
Editorial committee: Jean-Louis Dumas, Marie-Laurence De Lavenère, Fred Rawyler, Stéphane Wargnier, Anne-Marie Pilon.
Photos by Marie Amar, Koto Bolofo, Fulvio Cinquini, Frédéric Dumas, Serge Guerand, Yves Guillot, Marc Le Mené, Frédéric Marsal, Didier Massard, Andrew Dosunmu.

Le Monde d'Hermès n. 34. Spring-Summer 1999.
Editorial committee: Jean-Louis Dumas, Marie-Laurence De Lavenère, Fred Rawyler, Stéphane Wargnier, Anne-Marie Pilon.
Photos by Marie Amar, Koto Bolofo, Fulvio Cinquini, Frédéric Dumas, Serge Guerand, Yves Guillot, Marc Le Mené, Frédéric Marsal, Didier Massard, Andrew Dosunmu.

Le Monde d'Hermès n. 34. Spring-Summer 1999.
Editorial committee: Jean-Louis Dumas, Marie-Laurence De Lavenère, Fred Rawyler, Stéphane Wargnier, Anne-Marie Pilon.
Photos by Marie Amar, Koto Bolofo, Fulvio Cinquini, Frédéric Dumas, Serge Guerand, Yves Guillot, Marc Le Mené, Frédéric Marsal, Didier Massard, Andrew Dosunmu.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Created entirely from found images, ALBUM collects the first ten issues of a zine by the same name begun by Eline Mugaas and Elise Storsveen in 2008. Comprised of full page photographic illustrations, advertisements, and other ubiquitous media images culled from etiquette manuals, cookbooks, travel magazines, craft books, fashion magazines, and sexual manuals, ALBUM reflects the popular imagery found in Scandinavian households from the 1960s through the 1980s. The chosen imagery is then arranged across spreads, creating a sophisticated and humorous reading organized by a series of heavy themes such as the lonely man, femininity, architecture, family, outer space, and nature.

Drawing inspiration directly from the nursery, Pippi Longstocking, Southern German lederhosen and “Bratwurst culture,” the fashion design duo Bernhard Willhelm and Jutta Kraus make clothing that radically intermingles popular culture and highbrow culture, the expensive and the cheap, tradition and innovation. Willhelm and Kraus make a deliberate break with traditional European ideals of beauty, projecting instead a patchwork of influences and juggling wild patterns, vibrant colors and contrast-rich prints. Other influences include Japanese martial arts, the iconography of the Medieval Dance of Death, contemporary sportswear and the singular stylings of the late Michael Jackson. Willhelm and Kraus bombard wearers and onlookers alike with an abundance of motifs.

Drawing inspiration directly from the nursery, Pippi Longstocking, Southern German lederhosen and “Bratwurst culture,” the fashion design duo Bernhard Willhelm and Jutta Kraus make clothing that radically intermingles popular culture and highbrow culture, the expensive and the cheap, tradition and innovation. Willhelm and Kraus make a deliberate break with traditional European ideals of beauty, projecting instead a patchwork of influences and juggling wild patterns, vibrant colors and contrast-rich prints. Other influences include Japanese martial arts, the iconography of the Medieval Dance of Death, contemporary sportswear and the singular stylings of the late Michael Jackson. Willhelm and Kraus bombard wearers and onlookers alike with an abundance of motifs.

Drawing inspiration directly from the nursery, Pippi Longstocking, Southern German lederhosen and “Bratwurst culture,” the fashion design duo Bernhard Willhelm and Jutta Kraus make clothing that radically intermingles popular culture and highbrow culture, the expensive and the cheap, tradition and innovation. Willhelm and Kraus make a deliberate break with traditional European ideals of beauty, projecting instead a patchwork of influences and juggling wild patterns, vibrant colors and contrast-rich prints. Other influences include Japanese martial arts, the iconography of the Medieval Dance of Death, contemporary sportswear and the singular stylings of the late Michael Jackson. Willhelm and Kraus bombard wearers and onlookers alike with an abundance of motifs.

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

Rare 1998 special collector's issue of Japan's celebrated Studio Voice, dedicated to the work of Martin Margiela. Outside of the Margiela STREET issues, this would have been the largest feature committed to the Belgian fashion designer at the time, with most of the content unseen elsewhere. Almost 50 pages of large colour and b/w Margiela photographic shoots by Marina Faust, Mark Borthwick, and Ronald Stoops, amongst others, plus the Margiela exhibition at the Boymans Museum in Rotterdam, the Bacteria Project, "Working By Hand - Artisanal Production", Margiela's first collection for HERMÈS (98/99 AW), "Endless Threads" (text by Sydney Picasso), and a rare Q&A with Margiela himself.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

The rare first issue of "A Magazine Curated By", a publishing project for which fashion designers are invited to act as guest editors, filling each issue with a personal selection of their own material, expressing their aesthetic and cultural values.
The leitmotiv of this issue is "the extended creative life and the expression of the house of Maison Martin Margiela" wherein the magazine acts as a reunion of staff members, collaborators, collectors, models, photographers, artists and film makers to show what they are working on at the moment or a piece of work which still remains very dear to them. The color white, in all its shades and temperatures, acts as a unifying thread between the participants.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

Collection of black and white and colored photos of Issey Miyake’s innovative designs. First original edition of 1983. Text in English and Japanese. Featuring: Peter Allen, Shari Belafonte, Tina Chow, Pat Cleveland, John Dugdale, Bethann Hardison, Iman, Grace Jones, Sarah Kapp, Larissa, Marcus Leatherdale, Lisa Lyon, Tôru Nakamura, Robert Rauschenberg, Janis Savitt, Attila Von Somogy, Claudia Summers, Andy Warhol, Michael Zuk.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

A fully-illustrated publication to accompany Sarah Lucas's first major solo show in London taking place at Whitechapel Gallery, 2 October - 15 December 2013.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

In 1995, tokyo-based ‘Street’ magazine approached Maison Martin Margiela with an invitation to publish a special edition dedicated to its work. Maison Martin Margiela guest-edited the magazine, and was solely responsible for the selection of images and presentation, which includes many previously unpublished photographs from its archives. The success of the first volume led to the publication of a second installment in 1999, and together the two special issues cover every Martin Margiela collection from Spring/Summer 1989 to Spring/Summer 1999.

“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation. 

“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation. 

“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation. 

“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation. 

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Collection on Mark Borthwick pictures from Hélène Fillières, Margiela, Purple, Self Service.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Catalogue of the exhibition The Fourth Sex curated by Raf Simons and Francesco Bonami. Iconographic materials beginning in the 1960s, moving to the present revealing clothes, behavioural patterns, and visual artworks created or inspired by the transnational tribe that are teenagers. Artists include Vanessa Beecroft, Raymond Pettibon, Mike Kelley, Elizabeth Peyton, Karen Kilimnik, Charles Ray, Takashi Murakami, Larry Clark, Rineke Dijkstra, Paul McCarthy, Richard Prince, Gilbert & George, Gavin Turk, and Richard Billingham.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Cindy Sherman's exhibition in Tokyo at Parco Gallery 1987. This rare Japanese edition features Sherman's work between 1979 and 1986 and includes quotes by the artist and an interview of Sherman by Laurie Simmons.

Gianni Versace Uomo Book No. 31 by Bruce Weber Autumn 1996

Produced b y Donatella Versace

Stylist Joe McKenna

Makeup Dick Page

Hair Guido Palau

Gianni Versace Uomo Book No. 31 by Bruce Weber Autumn 1996

Produced b y Donatella Versace

Stylist Joe McKenna

Makeup Dick Page

Hair Guido Palau

Gianni Versace Uomo Book No. 31 by Bruce Weber Autumn 1996

Produced b y Donatella Versace

Stylist Joe McKenna

Makeup Dick Page

Hair Guido Palau

Gianni Versace Uomo Book No. 31 by Bruce Weber Autumn 1996

Produced b y Donatella Versace

Stylist Joe McKenna

Makeup Dick Page

Hair Guido Palau

Gianni Versace Uomo Book No. 31 by Bruce Weber Autumn 1996

Produced b y Donatella Versace

Stylist Joe McKenna

Makeup Dick Page

Hair Guido Palau

Dutch Magazine Issue 38 - Praise. 2002.
Featuring Alex Cayley, Pierre Paradis, Richard Burbridge, Philippe Cometti, Katya Rowles, Alan Scrymgeour, Inès de la Fressange photographed by Bettina Rheims, Thomas Schenk, Vanina Sorrenti.

Dutch Magazine Issue 38 - Praise. 2002.
Featuring Alex Cayley, Pierre Paradis, Richard Burbridge, Philippe Cometti, Katya Rowles, Alan Scrymgeour, Inès de la Fressange photographed by Bettina Rheims, Thomas Schenk, Vanina Sorrenti.

Dutch Magazine Issue 38 - Praise. 2002.
Featuring Alex Cayley, Pierre Paradis, Richard Burbridge, Philippe Cometti, Katya Rowles, Alan Scrymgeour, Inès de la Fressange photographed by Bettina Rheims, Thomas Schenk, Vanina Sorrenti.