The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
The Winter 1998 issue of Purple Fashion Magazine, the last Purple Fashion single issue before the magazine amalgamated into one, and then divided again in 2004. Contributions from Bernadette Corporation, Mark Borthwick, Hussein Chalayan, Viktor & Rolf, Helmut Lang by Terry Richardson and Martin Margiela.
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation.
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts[…]
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation.
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts[…]
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation.
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts[…]
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts that have been present in the Maison's production and captures its deconstructivist, subversive, and often radical approach to fashion, through an examination of the themes and influences that have underpinned the fashion house since its creation.
“20” The Exhibition celebrated 20 years of work by the influential and enigmatic Belgian designer, conceived in close collaboration with Maison Martin Margiela and curated by the Mode Museum of Antwerp. Departing from the traditional idea of presenting a comprehensive overview, this accompanying catalogue explores the different themes and concepts[…]
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series from magazines of the decade, showing how radical and innovative this generation was and how it remains influential in fashion, photography and art to this day. Artists featured in this volume include Vanessa Beecroft, Walter van Beirendonck, Bernadette Corporation, Mark Borthwick, Susan Cianciolo, Maria Cornejo, Corinne Day, Anders Edström, Helmut Lang, Martin Margiela, Collier Schorr, Nigel Shafran, Juergen Teller and Wolfgang Tillmans among others.
The 1990s constituted an exciting moment in fashion photography, as a generation of practitioners made work that was bluntly physical and brash, celebrating music, subculture and intimacy in the most creative fringes of twenty- and thirty-something life. Not in Fashion collects some of the strongest photographs, campaigns and picture series[…]
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends. Their latest project, N° 41 Retroperspective Home, culminates in an exhibition / intervention of the same title at the Kunsthaus Graz from May–August 2010.
Edited by Désirée Heiss, Ines Kaag, Manuel Raeder, Katrin Bucher Trantow, Peter Pakesch. Texts by Andrea Lissoni, Peter Pakesch & Katrin Bucher Trantow, Adriano Sack. Design by Manuel Reeder.
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and[…]
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends. Their latest project, N° 41 Retroperspective Home, culminates in an exhibition / intervention of the same title at the Kunsthaus Graz from May–August 2010.
Edited by Désirée Heiss, Ines Kaag, Manuel Raeder, Katrin Bucher Trantow, Peter Pakesch. Texts by Andrea Lissoni, Peter Pakesch & Katrin Bucher Trantow, Adriano Sack. Design by Manuel Reeder.
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and[…]
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends. Their latest project, N° 41 Retroperspective Home, culminates in an exhibition / intervention of the same title at the Kunsthaus Graz from May–August 2010.
Edited by Désirée Heiss, Ines Kaag, Manuel Raeder, Katrin Bucher Trantow, Peter Pakesch. Texts by Andrea Lissoni, Peter Pakesch & Katrin Bucher Trantow, Adriano Sack. Design by Manuel Reeder.
Heralded as one of fashion's most innovative designers, the Paris and Berlin based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and[…]
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries between art and architecture.
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries[…]
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries between art and architecture.
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries[…]
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries between art and architecture.
SITE. L'Architecture comme Art 1981 refers to a seminal exhibition held in 1981 at the Musée d'Art Moderne de la Ville de Paris, featuring the work of the architectural firm SITE (Sculpture in the Environment). SITE is renowned for its innovative and often surreal architectural designs that blur the boundaries[…]
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
Special Portrait issue, Winter 2002. Black-and-white editorial photographed by Mark Borthwick and styled by Désirée Heiss, stopping girls on the street and dressing them in various designers' cloth, letting them act naturally. Contributions from Corinne Day, Wolfgang Tillmans, Anders Edstrom, Teery Richardson, Balenciaga, Maison Martin Margiela, Comme des Garcons and many more.
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative process, making it a valuable resource for understanding Tillmans' influence on modern visual culture.
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative[…]
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative process, making it a valuable resource for understanding Tillmans' influence on modern visual culture.
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative[…]
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative process, making it a valuable resource for understanding Tillmans' influence on modern visual culture.
This book is a comprehensive visual exploration of Wolfgang Tillmans' work, showcasing his innovative approach to photography and contemporary art. The book highlights his experimental use of various formats, materials, and display techniques, presenting his images in both intimate and monumental scales. It includes essays and insights into his creative[…]
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
An absolute must-have title for Richard Prince collectors. First hardcover edition and first printing. A production by Richard Prince and Hans Werner Holzwarth that highlight the brilliant formal use of the color blue in Prince's photography.
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm.
Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.
The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]
For its first exhibition dedicated to contemporary fashion, the Musée Galliera gave six European designers carte blanche to present their sources of inspiration and showcase their world. Designers: Jean-Paul Gaultier, Romeo Gigli, Vivienne Westwood, Sybilla, Martin Margiela, Jean-Charles De Castelbajac.
For its first exhibition dedicated to contemporary fashion, the Musée Galliera gave six European designers carte blanche to present their sources of inspiration and showcase their world. Designers: Jean-Paul Gaultier, Romeo Gigli, Vivienne Westwood, Sybilla, Martin Margiela, Jean-Charles De Castelbajac.