Mert and Marcus, the creatives who have styled and shot some of the most powerful brands and personalities of our time. Some 300 pictures illuminate the hyper-glamorous, hyper-glossy repertoire of a creative partnership that has defined and redefined standards for fashion.
Mert and Marcus, the creatives who have styled and shot some of the most powerful brands and personalities of our time. Some 300 pictures illuminate the hyper-glamorous, hyper-glossy repertoire of a creative partnership that has defined and redefined standards for fashion.
Mert and Marcus, the creatives who have styled and shot some of the most powerful brands and personalities of our time. Some 300 pictures illuminate the hyper-glamorous, hyper-glossy repertoire of a creative partnership that has defined and redefined standards for fashion.
Mert and Marcus, the creatives who have styled and shot some of the most powerful brands and personalities of our time. Some 300 pictures illuminate the hyper-glamorous, hyper-glossy repertoire of a creative partnership that has defined and redefined standards for fashion.
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.
The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.
This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to mount exhibitions of his work. Despite this, his images have been exhibited widely; with several solo shows in China and internationally in countries including USA, Germany, Japan, Italy, France, Russia, Israel and Sweden. A limited edition of five hundred numbered copies, this book is copy number 277.
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to[…]
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to mount exhibitions of his work. Despite this, his images have been exhibited widely; with several solo shows in China and internationally in countries including USA, Germany, Japan, Italy, France, Russia, Israel and Sweden. A limited edition of five hundred numbered copies, this book is copy number 277.
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to[…]
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to mount exhibitions of his work. Despite this, his images have been exhibited widely; with several solo shows in China and internationally in countries including USA, Germany, Japan, Italy, France, Russia, Israel and Sweden. A limited edition of five hundred numbered copies, this book is copy number 277.
The first hardback monograph from Ren Hang, the controversial avant-garde photographer from China. A curation of the photographer's most interesting and often provocative early work presented in an extra large format clothbound hardcover book. The explicit nature of Ren Hang’s photography often made it difficult for galleries in his homeland to[…]
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between theater and photography, offering a unique perspective on 1980s art..
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between[…]
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between theater and photography, offering a unique perspective on 1980s art..
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between[…]
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between theater and photography, offering a unique perspective on 1980s art..
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between[…]
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between theater and photography, offering a unique perspective on 1980s art..
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between[…]
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between theater and photography, offering a unique perspective on 1980s art..
In this publication, Robert Mapplethorpe documented parts of Jan Fabre's theatrical performance. The book merges the visions of two innovative artists, with Fabre exploring the boundaries of theater and Mapplethorpe capturing the intensity and aesthetics of the performances through his lens. It is a work that celebrates the collaboration between[…]
A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was produced with the consent and collaboration of Mme Grès, but once it was published by Bunka, for some reason she objected and requested that all copies be returned or destroyed. It is therefore very rare.
A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was[…]
A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was produced with the consent and collaboration of Mme Grès, but once it was published by Bunka, for some reason she objected and requested that all copies be returned or destroyed. It is therefore very rare.
A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was[…]
This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper, Charles Ray, Paul McCarthy, Mike Kelley etc.
This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper,[…]
This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper, Charles Ray, Paul McCarthy, Mike Kelley etc.
This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper,[…]
For its first exhibition dedicated to contemporary fashion, the Musée Galliera gave six European designers carte blanche to present their sources of inspiration and showcase their world. Designers: Jean-Paul Gaultier, Romeo Gigli, Vivienne Westwood, Sybilla, Martin Margiela, Jean-Charles De Castelbajac.
For its first exhibition dedicated to contemporary fashion, the Musée Galliera gave six European designers carte blanche to present their sources of inspiration and showcase their world. Designers: Jean-Paul Gaultier, Romeo Gigli, Vivienne Westwood, Sybilla, Martin Margiela, Jean-Charles De Castelbajac.