RareBooksParis

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives and in particular his book Fashion Remains. Rethinking Ephemera in the Archive (Bloomsbury 2021).

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives[…]

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives and in particular his book Fashion Remains. Rethinking Ephemera in the Archive (Bloomsbury 2021).

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives[…]

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives and in particular his book Fashion Remains. Rethinking Ephemera in the Archive (Bloomsbury 2021).

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives[…]

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives and in particular his book Fashion Remains. Rethinking Ephemera in the Archive (Bloomsbury 2021).

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives[…]

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives and in particular his book Fashion Remains. Rethinking Ephemera in the Archive (Bloomsbury 2021).

The exhibition turns a spotlight on overlooked and discarded documents and artefacts from the modern fashion industry. Here they are treated as a vital resource ... The exhibition has been created in close collaboration with the collectors and the guest curator Marco Pecorari. The exhibition concept builds on Pecorari’s research into fashion archives[…]

For this collaboration Mark Borthwick was invited to freely interpret the Fall/Winter 1998/99 Maison Martin Margiela collection. The book features images unpublished elsewhere. Margiela's understated clothes are the perfect compliment to Borthwick's photographic sensibility, resulting in some of their best work.

Lookbook of the Hermès Autumn/Winter 1999-2000 collection. Creative direction by Martin Margiela.

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice of this editorial form is directly inspired by the artist’s work, which often incorporates images and vocabulary drawn from the media. Neither a catalog nor a work of art, this hyper-magazine with no equivalent is not an artist’s book but a mode of production as much as reproduction. A rare out of print copy with over 570 pages.

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice[…]

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice of this editorial form is directly inspired by the artist’s work, which often incorporates images and vocabulary drawn from the media. Neither a catalog nor a work of art, this hyper-magazine with no equivalent is not an artist’s book but a mode of production as much as reproduction. A rare out of print copy with over 570 pages.

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice[…]

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice of this editorial form is directly inspired by the artist’s work, which often incorporates images and vocabulary drawn from the media. Neither a catalog nor a work of art, this hyper-magazine with no equivalent is not an artist’s book but a mode of production as much as reproduction. A rare out of print copy with over 570 pages.

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice[…]

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice of this editorial form is directly inspired by the artist’s work, which often incorporates images and vocabulary drawn from the media. Neither a catalog nor a work of art, this hyper-magazine with no equivalent is not an artist’s book but a mode of production as much as reproduction. A rare out of print copy with over 570 pages.

This work is presented as an advertising catalog, in the style of "La Redoute": a thick book with fine, glossy pages and a detailed table of contents. "Magazines" is the title of this catalog, bringing together a selection of works by Claude Closky, reinterpreted in this press format. The choice[…]

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and many more.

The magazine "Purple" that swept the 90s fashion world. The project was started by the couple of artists Ellen Fries and Olivier Zahm. Second issue of the series that combines “Purple Fashion", “Purple Fiction” and “Purple Prose".. Winter 1998/99. Contributions from Richard Prince, Masafumi Sanai, Mark Borthwick, Takashi Homma and[…]

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous photographs, illustrations, descriptions, and transcriptions. Comments by audience members during performances have been recorded, discussions with the artist are included, and a substantial text by a host of critics has been assembled. The artist's chronological trajectory from formal art studies in Yugoslavia to work in sound environments, video installation, and performance based around the body is followed with scrutiny. The book is a major event for this provocative performer-artist, and features essays from such notables as the curators Hans Ulrich Obrist and Chrissie lles, the critics Thomas McEvilley and Bojana Pejic, and many others.

The first and only comprehensive monograph of the revolutionary performance artist Marina Abramovic, and thus is an invaluable contribution to our understanding of the art of the last three decades. All of Abramovic's performance works from 1969 to the present time are documented in this volume by means of numerous[…]

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in challenging art world norms around gender and form. The book features photographs by renowned art photographers like Jack Mitchell and Peter Moore.

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York. It examines Benglis's work across her career, focusing on her pioneering approach to sculpture, her use of unconventional materials, and her role in[…]

A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was produced with the consent and collaboration of Mme Grès, but once it was published by Bunka, for some reason she objected and requested that all copies be returned or destroyed. It is therefore very rare.

A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was[…]

A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was produced with the consent and collaboration of Mme Grès, but once it was published by Bunka, for some reason she objected and requested that all copies be returned or destroyed. It is therefore very rare.

A rare volume of 'L'Art de Madame Grès', photographs by Daiho Yoshida, Bunka Publishing Bureau, Japan, 1980, with text in French and Japanese, with English precis at the back, hardcover with sleeve, densely illustrated in colour and black with Grès creations from the 1930s to 1980. This Japanese/French edition, was[…]

This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper, Charles Ray, Paul McCarthy, Mike Kelley etc.

This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper,[…]

This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper, Charles Ray, Paul McCarthy, Mike Kelley etc.

This book is published in conjunction with the exhibition "Helter Skelter: L.A. Art in the 1990s" presented at the temporary contemporary of the museum of contemporary art, Los Angeles, January 26 April 1992. Contributors: Richard Koshalek, Paul Schimmel, Norman M.Klein, Lane Relyea, Charles Bukowski, Chris Burden, Michelle T.Clinton, Dennis Cooper,[…]

For its first exhibition dedicated to contemporary fashion, the Musée Galliera gave six European designers carte blanche to present their sources of inspiration and showcase their world. Designers: Jean-Paul Gaultier, Romeo Gigli, Vivienne Westwood, Sybilla, Martin Margiela, Jean-Charles De Castelbajac.